Interview with Sharyn Dunn

February 15, 2012

Tell me about your current body of work?

My current main work is producing interesting and thought provoking lighting, sculptures and wall pieces produced from a mixture of papers and metals.

By using various light sources I am able to display hidden textures and designs often missed when using a simple item such as a piece of paper.  Coupling this with repetition and manipulating these shapes leaves me able to produce chandeliers and lights with a different appeal.

I find your work truly stunning, what is your inspiration?

Inspirations come from within the organic forms found in nature and from their constant repetitions producing an array of designs and patterns.

Have you always earned you living by being creative?

Throughout my career I have been involved in various forms of art or craft, and at one stage owned a knitwear company designing and producing garments for high end boutiques and shops in SE England.

Why University?

I started to turn my hand to Interior Design which involved various other crafts I realised a need to “do something more” and decided to consolidate my skills and return to University on a design/crafts course.  I felt this would allow me to experience and master various crafts across a selection of disciplines – my favourites being metals, paper and mixed media.

Did you see any major changes following your degree?

Yes, on the completion of my degree the obvious option for me was to work as a self employed designer and maker.  Obviously this comprised of many applications to various shows and exhibitions throughout the country, building up a practice and improving and developing my designs.  It’s hard work but definitely fulfilling.

So, how did ‘The Collective’ come about?

It soon became clear to me that there were very few opportunities for new designer/makers to exhibit their work within the Midlands and definitely nothing which would show the opportunities a Design Craft course would offer to a prospective student other than the New Designers show in London for graduates.

The idea initially for me to set up the group “The Collective”, was to show the diversity of skills and quality of workmanship we had achieved, and provide another stepping stone for new designers building their careers.

Are there any future plans for 'The Collective'? 

The intention for me in the future is to extend our group, and take the exhibition on tour to galleries throughout the country, displaying our skills and showing how the development of a creative group of graduates move on to become accomplished craftsmen in their fields.

What are the details for this year's exhibitions

This year's exhibition will be at Creative Hinckley Gallery, The Atkins Building, Lower Bond Street Hinckley, Leicestershire, LE10 1QU

Monday 26th March to Saturday 5th May 2012

Opening times:- 9.00am to 5.30pm

There are also plans for some workshops whilst the exhibition is running, by Katie Almond, Phiona Richards and Samantha Robinson. Prices £20.00 - £25.00 To book a place please contact Creative Hinckley

Samantha Robinson "Springtime Inspirations" Saturday 31 March

10am to 1pm Make a bead/wire brooch inspired by Easter or Spring
2pm to 4pm  Suffold Puff brooches

Phiona Richards "A day of Paper Jewellery" Saturday 7 April

10am to 1pm Paper beads to create a pretty necklace
2pm to 4pm  Paper roses to embellish a brooch or hairslide

Katie Almond "Choose Ceramics" Friday 20 April

10am to 12pm Make a ceramic brooch
1pm to 4pm   Ceramic beads or tiles


If you'd like to find out more about Sharyn please visit her website. www.sharyndunn.com 

 

Lostock Hall Academy

February 12, 2012


At the beginning of January, I made my usual 6 week trek up to Manchester to visit my elderly mother.  This visit had a few more added extras a) it was my birthday b) I had a day's work in a school in Preston.




I had a fabulous day, working with year 10 and 11 who were working on their GCSE Art and Design Textile.  The girls were great, very keen and produced some lovely work.  I feel honoured that a few asked me for my autograph, which I have to say is a first.



 



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Buttons and patches and the cold wind blowing, The days pass quickly when I am sewing.

February 1, 2012
I recently made a delightful purchase of some jet buttons.  It is something I've been thinking about for a while for some jewellery pieces I have in mind, that and incorporating hooks and eyes (which I explored for a little while at University).  They were quite expensive, but compared to what.  Whitby Jet  is rapidly diminishing and was originally used in mourning jewellery by the Victorians who took the whole occasion of death rather theatrically.

After paying for the beads I waited...
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Creating Ribbon Flowers at the Autumn Centre

January 24, 2012
Margaret, one of the ladies in the 50+ group came across these flowers whilst visiting a florist to stock up on supplies.  There was a lady doing a demonstration using florist ribbon and a stripper (yes, some of the ladies did giggle at this!).  After an investment of said stripper (now I giggle) I set about trying to figure out how they were made as the group agreed that this was something they would all like to have a go at.



I have to say that actually using the ribbon stripping ...
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SlickSilver Jewellery

November 4, 2011
Following my appearance on Kirstie's Handmade Britain last Wednesday, I've been approached by many people wanting to know more about papercrafting or how to get started or more about what I do as a designer/maker.  Each email I have answered as fully as possibly, in the hope that they will go on to enjoy their experience of crafting with paper.  

Recently I've had a small spurt of enquiries from blogs and magazines, one of which was Val Williams aka @SlickSilverJ from twitter.  She sugge...


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Adventures in Paperland

October 16, 2011

Last week I came across a You Tube video which showed you how to make paper yarn.  I have to say this is not the first time I have visited this technique but I think it was the drop spindle that put me off.  My attempts without the spindle have been so, so, I twist the strip of paper between my figures and it becomes a loose yarn with absolutely no integrity.  Interesting none the less.

I would say the last time I researched and experimented with paper yarn was about 2 years ago.  I fou...


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Alternative Village Fete

August 30, 2011

Yesterday, outside the National Theatre, under the shelter of a Tee Pee I was showing children and adults how to make traditional windmills and origami windmill pin badges. This event brings together a selection of artists that offer whimsical creations to buy or make, performances from another era or food you may not have tasted before.

Unfortunately, because I was so busy, I didn't get to see much. Although I did manage to peep my head out once and see some dancers performing the jit...
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Twitter #sbs winner Sunday 14th August 2011!!

August 15, 2011
This morning at about 1.45 am, I discovered that I had been re-tweeted by Theo Paphitis for the #sbs (Small Business Sunday). What a blast....

This became very obvious when I discovered that my followers had leapt up by 100 and there were about 200 emails from Twitter.

I try and tweet my business every week but quite often forget. I would say that I have tried about half a dozen times, perhaps ten times at the most. Each attempt, I would wait for something to happen, then realise as ...
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Bobbing and Weaving

August 15, 2011
I'm just back from a week at the seaside, fully rested and refreshed. Before I went away I was having a play with some different techniques that I could use with paper.

I wanted to try making a basket using some magazines I had left. This is something that has been sitting on the back burner (in my head) for a while. I see the idea being developed int
o a neat workshop where participants can create their own custom container using, what else, but old books. Incorporated with some ...
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Le Design a L'Heure Anglais', L'Atelier Gallery, Paris

August 4, 2011
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What an opportunity, to exhibit in Paris the capital of France. Culture, Coissants, Wine and some of the world's most recognised monuments.

Designed by Gustave Eiffel in 1889 for the Worlds Fair. At the time there was a petition by many local artists who saw the structure as .....useless and monstrous. Amazingly nature lovers were concerned that it would disrupt the flight of birds. Within the first year sales of tickets to ride the nine hundred foot elevator covered the cons...


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About Me


Phiona Richards I am intrigued by paper and it's versatility. It is a total misnomer and full of contradictions. I am continually exploring the possibilities this material unfolds for me.

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